Essay/Term paper: Rose for emily
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The Things They Carried by Tim O'Brien
Tim O'Brien's The Things They Carried is not a novel about the Vietnam
War. It is a story about the soldiers and their experiences and emotions that
are brought about from the war. O'Brien makes several statements about war
through these dynamic characters. He shows the violent nature of soldiers
under the pressures of war, he makes an effective antiwar statement, and he
comments on the reversal of a social deviation into the norm. By skillfully
employing the stylistic technique of specific, conscious detail selection and
utilizing connotative diction, O'Brien thoroughly and convincingly makes each
point.
The violent nature that the soldiers acquired during their tour in Vietnam is
one of O'Brien's predominant themes in his novel. By consciously selecting
very descriptive details that reveal the drastic change in manner within the
men, O'Brien creates within the reader an understanding of the effects of
war on its participants. One of the soldiers, "Norman Bowler, otherwise a
very gentle person, carried a Thumb. . .The Thumb was dark brown, rubbery
to touch. . . It had been cut from a VC corpse, a boy of fifteen or
sixteen"(13). Bowler had been a very good-natured person in civilian life, yet
war makes him into a very hard-mannered, emotionally devoid soldier,
carrying about a severed finger as a trophy, proud of his kill. The
transformation shown through Bowler is an excellent indicator of the
psychological and emotional change that most of the soldiers undergo. To
bring an innocent young man from sensitive to apathetic, from caring to
hateful, requires a great force; the war provides this force. However,
frequently are the changes more drastic. A soldier named "Ted Lavender
adopted an orphaned puppy. . .Azar strapped it to a Claymore antipersonnel
mine and squeezed the firing device"(39). Azar has become demented; to kill
a puppy that someone else has adopted is horrible. However, the infliction of
violence has become the norm of behavior for these men; the fleeting
moment of compassion shown by one man is instantly erased by another,
setting order back within the group. O'Brien here shows a hint of sensitivity
among the men to set up a startling contrast between the past and the present
for these men. The effect produced on the reader by this contrast is one of
horror; therefore fulfilling O'Brien's purpose, to convince the reader of war's
severely negative effects. In the buffalo story, "We came across a baby
water buffalo. . .After supper Rat Kiley went over and stroked its nose. . .He
stepped back and shot it through the right front knee. . .He shot it twice in the
flanks. It wasn't to kill, it was to hurt"(85). Rat displays a severe emotional
problem here; however, it is still the norm. The startling degree of detached
emotion brought on by the war is inherent in O'Brien's detailed accounts of
the soldiers' actions concerning the lives of other beings.
O'Brien's use of specific and connotative diction enhances the same theme,
the loss of sensitivity and increase in violent behavior among the soldiers. The
VC from which Bowker took the thumb was just "a boy"(13), giving the
image of a young, innocent person who should not have been subjected to the
horrors of war. The connotation associated with boy enhances the fact that
killing has no emotional effect on the Americans, that they kill for sport and
do not care who or what their game may be. Just as perverse as killing boys,
though, is the killing of "a baby"(85), the connotation being associated with
human infants even though it is used to describe a young water buffalo they
torture. The idea of a baby is abstract, and the killing of one is frowned upon
in modern society, regardless of species. O'Brien creates an attitude of
disgust in the reader with the word, further fulfilling his purpose in
condemning violence. Even more drastic in connotation to be killed is the
"orphaned puppy"(39). Adding to the present idea of killing babies is the idea
of killing orphaned babies, which brings out rage within the reader. The whole
concept is metaphoric, based on the connotations of key words; nevertheless,
it is extremely effective in conveying O'Brien's theme.
O'Brien makes a valid, effective antiwar statement in The Things They
Carried. The details he includes give the reader insight into his opinions
concerning the Vietnam War and the draft that was used to accumulate
soldiers for the war. While thinking of escaping to Canada, he says: "I was
drafted to fight a war I hated. . .The American war seemed to me
wrong"(44). O'Brien feels that U.S. involvement in Vietnamese affairs was
unnecessary and wasteful. He includes an account of his plan to leave the
country because he did not want to risk losing his life for a cause he did not
believe in. Here O'Brien shows the level of contempt felt towards the war;
draft dodging is dangerous. He was not a radical antiwar enthusiast, however,
for he takes "only a modest stand against the war"(44). While not condoning
the fighting, he does not protest the war except for minimally, peacefully, and
privately doing so. His dissatisfaction with the drafting process is included in
his statement, "I was a liberal, for Christ's sake: if they needed fresh bodies,
why not draft some back-to-the-stone-age-hawk?"(44). O'Brien's point of
drafting only those who approve involvement in the war is clearly made while
his political standpoint is simultaneously revealed. The liberal attitude O'Brien
owns is very much a part of his antiwar theme; it is the axis around which his
values concerning the war revolve.
The antiwar statement is enhanced by O'Brien's use of connotative and
informal diction to describe the war, its belligerent advocates, and its
participants. The connotation in the adjective American in describing the war
seems as though O'Brien believes the Americans are making the war revolve
around themselves, instead of the Vietnamese. While also criticizing
Americans, he manages to once again question the necessity of United States
involvement in the war. Also connotatively enhancing the antiwar theme is
the word bodies to describe draftees; while an accurate evaluation
scientifically, it gives the reader the impression that the young men that are
being brought into the war to become statistics, part of a body count. O'Brien
shows very effectively the massive destruction of innocent human life brought
on by Vietnam. In contrast with his sympathy toward draftees, O'Brien
utilizes informal, derogatory diction to describe the war's advocates. He labels
his stereotype belligerent a "dumb jingo"(44), or moronic national pride
enthusiast. By phrasing his views in such a manner, O'Brien is able to convey
the idea that there is enough opposition to the war that a negative slang has
been implemented frequently, hence the term dumb jingo. The skill with which
O'Brien illustrates his views is very convincing throughout their development
in the novel; his antibelligerence focus is very effective.
The social deviance that has become the accepted norm in The Things They
Carried is brought out by O'Brien in the form of the soldiers' drug usage.
O'Brien wants to convey the idea of negative transitions brought about by the
war with a statement about marijuana's public, widespread, carefree use in
Vietnam. He includes several anecdotes that illustrate to which degree the
substance is abused. A friend of O'Brien's, Ted Lavender, "carried six or
seven ounces of premium dope"(4), which indicates not only the soldiers'
familiarity with the drug, but their acquired knowledge of the quality of the
drug. The discouragement of marijuana, as well as other drugs, was
previously the accepted view of Americans; however, according to O'Brien,
is has become the norm for Americans in Vietnam. The war has completely
reversed their morals. Once they carried a corpse out to "a dry paddy. . .and
sat smoking the dead man's dope until the chopper came. Lieutenant Cross
kept to himself"(8). Even the squad's supervisor, the platoon leader Lieutenant
Cross, is unaffected by the soldiers' blatant use of an illegal substance; he has
become so used to the occurrence that he no longer condemns its use. For
even a leader of men to be morally warped by the war is an effective idea in
O'Brien's discouragement of war.
As George Carlin once said to a New York audience, "We love war. We are
a warlike people, and therefore we love war"(Carlin 1992). This view is
common today among Americans since the advent of long-distance warfare
and bright, colorful explosions; however, in the guerrilla warfare of Vietnam,
the grudging participants loathed the idea. Tim O'Brien very effectively
portrays their hatred and the severe negative effects the war had on
American soldiers in his excellent, convincing novel The Things They Carried.
The skillful choice of details and several types of diction that reveal his theme
of induced violence, his anti-war statement, and his view of the reversal of
morals among GIs are effective in presenting O'Brien's views in this, "The
Last War Novel"(McClung 96).